... | ... |
@@ -48,21 +48,24 @@ def build dir |
48 | 48 |
# Va a la carpeta de MD para crear los HTML |
49 | 49 |
Dir.chdir('../archivos-madre/md') |
50 | 50 |
|
51 |
- # Genera el HTML |
|
51 |
+ # Genera el HTML con las notas |
|
52 | 52 |
system("pc-pandog -i #{dir}.md -o #{dir}.html") |
53 |
+ system("pc-notes -n notas.md --inner") |
|
53 | 54 |
|
54 | 55 |
# Cambia el título del documento HTML |
55 | 56 |
file = File.open(dir + '.html', 'r:UTF-8') |
56 | 57 |
file.each do |linea| |
57 |
- new_html.push(linea.gsub('<title>Título</title>', "<title>#{meta[0]}</title>").gsub('<section epub:type="introduction" role="doc-introduction">', "<section><h1 class=\"titulo\">#{meta[0]}</h1></section>\n <section epub:type=\"introduction\" role=\"doc-introduction\">")) |
|
58 |
+ new_html.push(linea |
|
59 |
+ .gsub('<title>Título</title>', "<title>#{meta[0]}</title>") |
|
60 |
+ .gsub('<section epub:type="introduction" role="doc-introduction">', "<section><h1 class=\"titulo\">#{meta[0]}</h1></section>\n <section epub:type=\"introduction\" role=\"doc-introduction\">") |
|
61 |
+ .gsub(' </body>', " <section> <script type=\"text/javascript\" src=\"/hashover/comments.php\"></script>\n </section>\n </body>")) |
|
58 | 62 |
end |
59 | 63 |
file.close |
60 | 64 |
file = File.new(dir + '.html', 'w:UTF-8') |
61 | 65 |
file.puts new_html |
62 | 66 |
file.close |
63 | 67 |
|
64 |
- # Agrega las notas y mueve el HTML |
|
65 |
- system("pc-notes -n notas.md --inner") |
|
68 |
+ # Mueve el HTML |
|
66 | 69 |
FileUtils.mv(dir + '.html', '../html') |
67 | 70 |
|
68 | 71 |
# Elimina protecto de automata |
... | ... |
@@ -62,7 +62,9 @@ def build md |
62 | 62 |
# Cambia el título del documento HTML |
63 | 63 |
file = File.open(file_name + '.html', 'r:UTF-8') |
64 | 64 |
file.each do |linea| |
65 |
- new_html.push(linea.gsub('<title>Título</title>', "<title>#{file_title}</title>")) |
|
65 |
+ new_html.push(linea |
|
66 |
+ .gsub('<title>Título</title>', "<title>#{file_title}</title>") |
|
67 |
+ .gsub(' </body>', " <section> <script type=\"text/javascript\" src=\"/hashover/comments.php\"></script>\n </section>\n </body>")) |
|
66 | 68 |
end |
67 | 69 |
file.close |
68 | 70 |
file = File.new(file_name + '.html', 'w:UTF-8') |
... | ... |
@@ -5,10 +5,8 @@ |
5 | 5 |
<title>10 comandos básicos de la terminal</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
8 |
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|
9 |
- <section> |
|
10 |
- <h1 class="titulo">10 comandos básicos de la terminal</h1> |
|
11 |
- </section> |
|
8 |
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|
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+ <section><h1 class="titulo">10 comandos básicos de la terminal</h1></section> |
|
12 | 10 |
<section epub:type="introduction" role="doc-introduction"> |
13 | 11 |
<h1 id="introduccion">Introducción</h1> |
14 | 12 |
<p>¡Bienvenido! Si estás leyendo este manual de algún modo ya sabes de la potencia de usar la interfaz de línea de comandos en lugar de interfaces gráficas.</p> |
... | ... |
@@ -903,5 +901,7 @@ |
903 | 903 |
<p class="n-note-p" id="c-n-9"><a class="n-note-a" href="#n-9">9</a> El ejemplo usa exclusivamente <code>cat</code>, pero el operador <code>></code> puede usarse para cualquier comando.</p> |
904 | 904 |
<p class="n-note-p" id="c-n-10"><a class="n-note-a" href="#n-10">10</a> Al hacer saltos de línea con <code>\</code>, el símbolo <code>></code> lo agrega Bash de manera automática.</p> |
905 | 905 |
</section> |
906 |
- </body> |
|
906 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
|
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+ </section> |
|
908 |
+ </body> |
|
907 | 909 |
</html> |
... | ... |
@@ -5,7 +5,7 @@ |
5 | 5 |
<title>¿Qué son la edición digital y las publicaciones digitales?</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
8 |
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|
9 | 9 |
<section epub:type="chapter" role="doc-chapter"> |
10 | 10 |
<h1 id="que-son-la-edicion-digital-y-las-publicaciones-digitales">¿Qué son la edición digital y las publicaciones digitales?</h1> |
11 | 11 |
<p>Cuando se habla del trabajo editorial en el contexto digital, uno de los primeros problemas que se afrontan es la falta de un panorama general sobre aquello que se llama «edición digital».</p> |
... | ... |
@@ -136,5 +136,7 @@ |
136 | 136 |
</li> |
137 | 137 |
</ul> |
138 | 138 |
</section> |
139 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
|
140 |
+ </section> |
|
139 | 141 |
</body> |
140 | 142 |
</html> |
... | ... |
@@ -5,7 +5,7 @@ |
5 | 5 |
<title>Breve historia de la edición digital</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
8 |
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|
9 | 9 |
<section epub:type="chapter" role="doc-chapter"> |
10 | 10 |
<h1 id="breve-historia-de-la-edicion-digital">Breve historia de la edición digital</h1> |
11 | 11 |
<p>La producción de publicaciones con <em>software</em> ha variado con el tiempo y se ha basado en métodos que tienen enfoques muy particulares sobre el tratamiento del texto. Un breve recorrido histórico quizá puede ayudar a visibilizar una serie de eventos que nos han llevado a la manera actual de componer documentos de manera digital.</p> |
... | ... |
@@ -351,5 +351,7 @@ |
351 | 351 |
</li> |
352 | 352 |
</ul> |
353 | 353 |
</section> |
354 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
|
355 |
+ </section> |
|
354 | 356 |
</body> |
355 | 357 |
</html> |
... | ... |
@@ -5,7 +5,7 @@ |
5 | 5 |
<title>Formatos y programas para la edición digital</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
8 |
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|
9 | 9 |
<section epub:type="chapter" role="doc-chapter"> |
10 | 10 |
<h1 id="formatos-y-programas-para-la-edicion-digital">Formatos y programas para la edición digital</h1> |
11 | 11 |
<p>Se cuenta con dos tendencias generales para el tratamiento del texto, las cuales no solo tienen un distinto origen, sino también una diferente opinión en torno al <em>software</em>. A lo largo de las décadas han existido formatos y programas que han seguido algunas de estas dos líneas. A continuación veremos algunos de estos.</p> |
... | ... |
@@ -29,7 +29,9 @@ |
29 | 29 |
<p>Del archivo original a los distintos formatos de publicación existen una serie de formatos, varios de ellos intermedios, y de programas que nos permiten ir de un extremo al otro de los procesos editoriales.</p> |
30 | 30 |
<h3 id="procesadores-de-texto">Procesadores de texto</h3> |
31 | 31 |
<p>Por lo general, el proceso de producción de una obra comienza con un archivo de procesador de texto dado por el autor. Su ventaja es que son los formatos más populares, por lo que cualquier persona está familiarizada. Sin embargo, la principal desventaja es su general falta de uniformidad y de estructura por lo que uno de los primeros trabajos no solo es corregir el texto, sino también darle una estructura adecuada.</p> |
32 |
- <p>| Formato | Tipo | Programa usual | Licencia | |-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| | <span class="versalita">DOCX</span> | Abierto | Word | Propietario | | <span class="versalita">ODT</span> | Abierto | Writer | Libre |</p> |
|
32 |
+ <pre class=""> |
|
33 |
+ <code class="code-line-1">Formato | Tipo | Programa usual | Licencia</code><code class="code-line-2">DOCX | Abierto | Word | Propietario</code><code class="code-line-3">ODT | Abierto | Writer | Libre</code> |
|
34 |
+ </pre> |
|
33 | 35 |
<figure> |
34 | 36 |
<img src="../img/03_formatos-programas/s03_img02.jpg" alt="Entorno de trabajo de LibreOffice Writer."/> |
35 | 37 |
<figcaption> |
... | ... |
@@ -44,20 +46,30 @@ |
44 | 44 |
</figcaption> |
45 | 45 |
</figure> |
46 | 46 |
<p>La mayoría delas veces el texto procesado es importado a un <em>software</em> de diagramación para la producción de una <strong>publicación impresa</strong>. La ventaja principal es la posibilidad de visualmente componer el texto. Pero su desventaja reside en que se complica la <strong>publicación multiformato</strong> al ser muy difícil regresar a un formato adecuado para la publicación digital.</p> |
47 |
- <p>| Formato | Tipo | Programa usual | Licencia | |-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| | <span class="versalita">INDD</span> | Cerrado | InDesign | Propietaria | | <span class="versalita">SLA</span> | Abierto | Scribus | Libre |</p> |
|
47 |
+ <pre class=""> |
|
48 |
+ <code class="code-line-1">Formato | Tipo | Programa usual | Licencia</code><code class="code-line-2">INDD | Cerrado | InDesign | Propietaria</code><code class="code-line-3">SLA | Abierto | Scribus | Libre</code> |
|
49 |
+ </pre> |
|
48 | 50 |
<h3 id="para-imagenes">Para imágenes</h3> |
49 | 51 |
<p>El tratamiento con las imágenes es algo común en la labor editorial, los formatos más comunes tenemos:</p> |
50 |
- <p>| Formato | Tipo | Programa usual | Licencia | |-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-| | <span class="versalita">JPEG</span> | Abierto | Photoshop / Gimp | Propietaria / Libre | | <span class="versalita">PNG</span> | Abierto | Photoshop / Gimp | Propietaria / Libre | | <span class="versalita">TIFF</span> | Abierto | Photoshop / Gimp | Propietaria / Libre | | <span class="versalita">PS</span> | Abierto | Photoshop / Gimp | Propietaria / Libre | | <span class="versalita">SVG</span> | Abierto | Illustrator / Inkscape | Propietaria / Libre | | <span class="versalita">AI</span> | Propietario | Illustrator | Propietaria | | <span class="versalita">PSD</span> | Propietario | Photoshop | Propietaria |</p> |
|
52 |
+ <pre class=""> |
|
53 |
+ <code class="code-line-1">Formato | Tipo | Programa usual | Licencia</code><code class="code-line-2">JPEG | Abierto | Photoshop / Gimp | Propietaria / Libre</code><code class="code-line-3">PNG | Abierto | Photoshop / Gimp | Propietaria / Libre</code><code class="code-line-4">TIFF | Abierto | Photoshop / Gimp | Propietaria / Libre</code><code class="code-line-5">PS | Abierto | Photoshop / Gimp | Propietaria / Libre</code><code class="code-line-6">SVG | Abierto | Illustrator / Inkscape | Propietaria / Libre</code><code class="code-line-7">AI | Propietario | Illustrator | Propietaria</code><code class="code-line-8">PSD | Propietario | Photoshop | Propietaria</code> |
|
54 |
+ </pre> |
|
51 | 55 |
<h2 id="para-libros-electronicos-estandar">Para libros electrónicos estándar</h2> |
52 | 56 |
<h3 id="para-comic">Para cómic</h3> |
53 | 57 |
<p>Por último, se cuenta con un formato específico para la lectura de cómic que son: <span class="versalita">CBR</span>, <span class="versalita">CBZ</span>, <span class="versalita">CB7</span> o <span class="versalita">CBT</span>.</p> |
54 |
- <p>| Formato | Tipo | Programa usual | Licencia | |-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| | <span class="versalita">CBR</span> | Abierto | Renderizador | Variable | | <span class="versalita">CBZ</span> | Abierto | Renderizador | Variable | | <span class="versalita">CB7</span> | Abierto | Renderizador | Variable | | <span class="versalita">CBT</span> | Abierto | Renderizador | Variable |</p> |
|
58 |
+ <pre class=""> |
|
59 |
+ <code class="code-line-1">Formato | Tipo | Programa usual | Licencia</code><code class="code-line-2">CBR | Abierto | Renderizador | Variable</code><code class="code-line-3">CBZ | Abierto | Renderizador | Variable</code><code class="code-line-4">CB7 | Abierto | Renderizador | Variable</code><code class="code-line-5">CBT | Abierto | Renderizador | Variable</code> |
|
60 |
+ </pre> |
|
55 | 61 |
<blockquote> |
56 | 62 |
<p>El último carácter hace mención al formato de compresión, <span class="versalita">R</span> para <span class="versalita">RAR</span>, <span class="versalita">Z</span> para <span class="versalita">ZIP</span>, 7 para <span class="versalita">7ZIP</span> y <span class="versalita">T</span> para <span class="versalita">TAR</span>.</p> |
57 | 63 |
</blockquote> |
58 | 64 |
<h3 id="renderizadores">Renderizadores</h3> |
59 | 65 |
<p>Un renderizador es un <em>software</em> que permite ver visualmente un libro electrónico. Puede ser un programa independiente o una extensión a un explorador <em>web</em>. Los renderizadores más populares son:</p> |
60 |
- <p>| Programa | Licencia | Plataforma | |-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-| | Calibre | Libre | Multiplataforma | | Readium | Abierto | <em>Plugin</em> para Chrome | | <span class="versalita">EPUBR</span>eader | ? | <em>Plugin</em> para Firefox | | <span class="versalita">ADE</span> | Propietaria | Windows y macOS | | iBooks | Propietaria | iOS y macOS | | Sumatra <span class="versalita">PDF</span> | Abierto | Windows | | Okular | Libre | Linux | | Google Play Books | Propietaria | Android | | Familia Kindle | Propietaria | Multiplataforma |</p> |
|
66 |
+ <pre class=""> |
|
67 |
+ <code class="code-line-1">Programa | Licencia | Plataforma</code><code class="code-line-2">Calibre | Libre | Multiplataforma</code><code class="code-line-3">Readium | Abierto | Plugin para Chrome</code><code class="code-line-4">EPUBReader | ? | Plugin para Firefox</code><code class="code-line-5">ADE | Propietaria | Windows y macOS</code><code class="code-line-6">iBooks | Propietaria | iOS y macOS</code><code class="code-line-7">Sumatra PDF | Abierto | Windows</code><code class="code-line-8">Okular | Libre | Linux</code><code class="code-line-9">Google Play Books | Propietaria | Android</code><code class="code-line-10">Familia Kindle | Propietaria | Multiplataforma</code> |
|
68 |
+ </pre> |
|
69 |
+ </section> |
|
70 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
|
61 | 71 |
</section> |
62 | 72 |
</body> |
63 | 73 |
</html> |
... | ... |
@@ -5,7 +5,7 @@ |
5 | 5 |
<title>Lenguajes de marcado más comunes en la edición</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
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|
9 | 9 |
<section epub:type="chapter" role="doc-chapter"> |
10 | 10 |
<h1 id="lenguajes-de-marcado-mas-comunes-en-la-edicion">Lenguajes de marcado más comunes en la edición</h1> |
11 | 11 |
<p>El primer acercamiento que se tendrá para el cuidado y formateo del texto será mediante lenguajes de marcado. Sin embargo, ¿qué son los lenguajes de marcado? ¿Cómo se usan? ¿Qué posibilidades tenemos?</p> |
... | ... |
@@ -79,14 +79,18 @@ |
79 | 79 |
</ul> |
80 | 80 |
<p>Desventajas:</p> |
81 | 81 |
<p><em> Debido a que usa un enfoque WYSIWYM («lo que ves es lo que quieres decir»), no es común en el ámbito editorial. </em> Requiere el aprendizaje de algo nuevo; a saber, su sintaxis.</p> |
82 |
- <p>| Formato | Tipo | Programa usual | Licencia | |-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| | <span class="versalita">MD</span> | Abierto | Editor de texto | Variable |</p> |
|
82 |
+ <pre class=""> |
|
83 |
+ <code class="code-line-1">Formato | Tipo | Programa usual | Licencia</code><code class="code-line-2">MD | Abierto | Editor de texto | Variable</code> |
|
84 |
+ </pre> |
|
83 | 85 |
<p>Ejemplo:</p> |
84 | 86 |
<pre class="markdown"> |
85 | 87 |
<code class="code-line-1"># Encabezado 1</code><code class="code-line-2"></code><code class="code-line-3">Esto es un párrafo con una *itálica*.</code><code class="code-line-4"></code><code class="code-line-5">## Encabezado 2</code><code class="code-line-6"></code><code class="code-line-7">> Bloque de cita con una **negrita**.</code> |
86 | 88 |
</pre> |
87 | 89 |
<h3 id="familias-tex-y-html">Familias TeX y HTML</h3> |
88 | 90 |
<p>De lenguajes de marcado pesado tenemos la familia de TeX y la familia <span class="versalita">HTML</span>.</p> |
89 |
- <p>| Formato | Tipo | Programa usual | Licencia | |-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| | TeX | Abierto | Editor de texto | Variable | | <span class="versalita">HTML</span> | Abierto | Editor de texto | Variable |</p> |
|
91 |
+ <pre class=""> |
|
92 |
+ <code class="code-line-1">Formato | Tipo | Programa usual | Licencia</code><code class="code-line-2">TeX | Abierto | Editor de texto | Variable</code><code class="code-line-3">HTML | Abierto | Editor de texto | Variable</code> |
|
93 |
+ </pre> |
|
90 | 94 |
<p>Ejemplo de TeX:</p> |
91 | 95 |
<pre class="tex"> |
92 | 96 |
<code class="code-line-1">\begin{document}</code><code class="code-line-2"></code><code class="code-line-3">\chapter{Encabezado 1}</code><code class="code-line-4"></code><code class="code-line-5">Esto es un párrafo con una \textit{itálica}.</code><code class="code-line-6"></code><code class="code-line-7">\section{Encabezado 2}</code><code class="code-line-8"></code><code class="code-line-9">\begin{quote}</code><code class="code-line-10"> Bloque de cita con una \textbf{negrita}.</code><code class="code-line-11">\end{quote}</code><code class="code-line-12"></code><code class="code-line-13">\end{document}</code> |
... | ... |
@@ -116,12 +120,16 @@ |
116 | 116 |
<p>Sin embargo, como es perceptible, la estructura de un archivo <span class="versalita">JSON</span> puede ser muy confusa, por lo que <span class="versalita">YAML</span> surge como una solución a este problema.</p> |
117 | 117 |
<p>Ejemplo de <span class="versalita">YAML</span>:</p> |
118 | 118 |
<pre class="yaml"> |
119 |
- <code class="code-line-1">-@-@-</code><code class="code-line-2">publication:</code><code class="code-line-3"> content:</code><code class="code-line-4"> h1: "Encabezado 1"</code><code class="code-line-5"> p: "Esto es un párrafo con una <em>itálica</em>."</code><code class="code-line-6"> h2: "Encabezado 2"</code><code class="code-line-7"> blockquote: "Cita con <strong>negrita</strong>."</code> |
|
119 |
+ <code class="code-line-1">---</code><code class="code-line-2">publication:</code><code class="code-line-3"> content:</code><code class="code-line-4"> h1: "Encabezado 1"</code><code class="code-line-5"> p: "Esto es un párrafo con una <em>itálica</em>."</code><code class="code-line-6"> h2: "Encabezado 2"</code><code class="code-line-7"> blockquote: "Cita con <strong>negrita</strong>."</code> |
|
120 |
+ </pre> |
|
121 |
+ <pre class=""> |
|
122 |
+ <code class="code-line-1">Formato | Tipo | Programa usual | Licencia</code><code class="code-line-2">XML | Abierto | Editor de texto | Variable</code><code class="code-line-3">JSON | Abierto | Editor de texto | Variable</code><code class="code-line-4">YAML | Abierto | Editor de texto | Variable</code> |
|
120 | 123 |
</pre> |
121 |
- <p>| Formato | Tipo | Programa usual | Licencia | |-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| | <span class="versalita">XML</span> | Abierto | Editor de texto | Variable | | <span class="versalita">JSON</span> | Abierto | Editor de texto | Variable | | <span class="versalita">YAML</span> | Abierto | Editor de texto | Variable |</p> |
|
122 | 124 |
<h3 id="editores-de-texto">Editores de texto</h3> |
123 | 125 |
<p>Los lenguajes de marcado más populares son formatos abiertos, esto permite que puedan ser redactados desde cualquier tiepo de editor de textos, privados, abiertos o libres. Los editores recomendados para poder escribir cualquiera de estos formatos son:</p> |
124 |
- <p>| Programa | Licencia | Plataforma | |-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-| | Geany | Libre | Multiplataforma | | Gedit | Libre | Multiplataforma | | Atom | Libre | Multiplataforma | | Brackets | Libre | Multiplataforma | | Sublime Text | Propietaria | Multiplataforma | | Dreamweaver | Propietaria | Windows y macOS |</p> |
|
126 |
+ <pre class=""> |
|
127 |
+ <code class="code-line-1">Programa | Licencia | Plataforma</code><code class="code-line-2">Geany | Libre | Multiplataforma</code><code class="code-line-3">Gedit | Libre | Multiplataforma</code><code class="code-line-4">Atom | Libre | Multiplataforma</code><code class="code-line-5">Brackets | Libre | Multiplataforma</code><code class="code-line-6">Sublime Text | Propietaria | Multiplataforma</code><code class="code-line-7">Dreamweaver | Propietaria | Windows y macOS</code> |
|
128 |
+ </pre> |
|
125 | 129 |
<h2 id="familia-epub">Familia EPUB</h2> |
126 | 130 |
<figure> |
127 | 131 |
<img src="../img/04_lenguajes-marcado/s04_img03.jpg" alt="Las tres capas de una publicación electrónica."/> |
... | ... |
@@ -196,7 +204,9 @@ |
196 | 196 |
<blockquote> |
197 | 197 |
<p>La decisión de un formato cerrado puede ser por 1) intereses comerciales, 2) optimización en los dispositivos, 3) adición de <span class="versalita">DRM</span> o 4) implementación de características no estandarizadas.</p> |
198 | 198 |
</blockquote> |
199 |
- <p>| Formato | Tipo | Programa usual | Licencia | |-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| | <span class="versalita">EPUB</span> | Abierto | Renderizador | Variable | | <span class="versalita">IBOOKS</span> | Propietario | iBooks | Propietaria | | <span class="versalita">MOBI</span> | Propietario | Familia Kindle | Propietaria | | <span class="versalita">AZW3</span> | Propietario | Familia Kindle | Propietaria |</p> |
|
199 |
+ <pre class=""> |
|
200 |
+ <code class="code-line-1">Formato | Tipo | Programa usual | Licencia</code><code class="code-line-2">EPUB | Abierto | Renderizador | Variable</code><code class="code-line-3">IBOOKS | Propietario | iBooks | Propietaria</code><code class="code-line-4">MOBI | Propietario | Familia Kindle | Propietaria</code><code class="code-line-5">AZW3 | Propietario | Familia Kindle | Propietaria</code> |
|
201 |
+ </pre> |
|
200 | 202 |
<h2 id="estilos-markdown-de-pecas">Estilos Markdown de Pecas</h2> |
201 | 203 |
<p>La sintaxis básica de Markdown o la extendida por <a href="http://pandoc.org/">Pandoc</a> carecen de varios elementos necesarios para el quehacer editorial. Esto se debe a que Markdown nació para la escritura rápida de <em>blogs</em>, no para la creación de publicaciones digitales.</p> |
202 | 204 |
<p>Gracias a la herramienta de base que se utilizará para la creación de libros —Pecas— es posible añadir estilos adicionales que modificarán el archivo automáticamente después de haber sido convertido con Pandoc. Los estilos son los siguientes.</p> |
... | ... |
@@ -304,5 +314,7 @@ |
304 | 304 |
</pre> |
305 | 305 |
<p>Parece una nimiedad, pero con esta posibilidad ¡ya es posible asignar estilos de párrafo!</p> |
306 | 306 |
</section> |
307 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
|
308 |
+ </section> |
|
307 | 309 |
</body> |
308 | 310 |
</html> |
... | ... |
@@ -5,7 +5,7 @@ |
5 | 5 |
<title>El formato como el cuello de botella en la edición</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
8 |
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|
9 | 9 |
<section epub:type="chapter" role="doc-chapter"> |
10 | 10 |
<h1 id="el-formato-como-el-cuello-de-botella-en-la-edicion">El formato como el cuello de botella en la edición</h1> |
11 | 11 |
<p>El formateo del texto es una de las tareas que pueden llegar a consumir la mayor cantidad de tiempo al momento de editar una publicación. Esto se debe a que <strong>la calidad de una publicación depende de su formato</strong>. La relevancia de esto es para cualquier clase de método y, para fines de publicación multiformato, es esencial si se quiere evitar la mayor cantidad de regresiones o bifurcaciones posibles.</p> |
... | ... |
@@ -89,5 +89,7 @@ |
89 | 89 |
</li> |
90 | 90 |
</ul> |
91 | 91 |
</section> |
92 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
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+ </section> |
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92 | 94 |
</body> |
93 | 95 |
</html> |
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@@ -5,7 +5,7 @@ |
5 | 5 |
<title>Enfoques WYSIWYG y WYSIWYM</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
8 |
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<section epub:type="chapter" role="doc-chapter"> |
10 | 10 |
<h1 id="enfoques-wysiwyg-y-wysiwym">Enfoques WYSIWYG y WYSIWYM</h1> |
11 | 11 |
<p>En general, puede decirse que desde mediados de los ochenta surgieron, además de los lenguajes de marcado, dos enfoques relacionados al tratamiento del texto digital: WYSIWYG y WYSIWYM. Ambos tienen una postura distinta en la relación entre la estructura y el diseño de una publicación.</p> |
... | ... |
@@ -47,5 +47,7 @@ |
47 | 47 |
</figure> |
48 | 48 |
<p>Para usuarios que no han tenido contacto con los lenguajes de marcado, como lo es la mayoría de los escritores y editores, esta herramienta puede resultar aún muy compleja. Por eso quizá una alternativa más acorde a este contexto es el empleo de un <a href="https://es.wikipedia.org/wiki/Lenguaje_de_marcas_ligero">lenguaje de marcas ligero</a>.</p> |
49 | 49 |
</section> |
50 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
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+ </section> |
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</body> |
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</html> |
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@@ -5,7 +5,7 @@ |
5 | 5 |
<title>Edición cíclica como proceso tradicional de publicación</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
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9 | 9 |
<section epub:type="chapter" role="doc-chapter"> |
10 | 10 |
<h1 id="edicion-ciclica-como-proceso-tradicional-de-publicacion">Edición cíclica como proceso tradicional de publicación</h1> |
11 | 11 |
<p>El cuidado sobre el texto, el tipo de formato y las técnicas aplicadas para la producción de un libro han variado durante siglos. Sin embargo, la concepción metodológica ha permanecido casi invariable. Con la publicación digital es posible dilucidarla no como <em>el</em> proceso, sino como <em>un</em> método para la publicación de una obra que tal vez ya no es el más pertinente para las necesidades actuales…</p> |
... | ... |
@@ -148,5 +148,7 @@ |
148 | 148 |
<p>Ante estos problemas, algunos editores han buscado la aplicación no controlado de procesos de automatización mediante los conversores, esa clase de <em>software</em> que milagrosamente convierte de un formato <strong>final</strong> a otro. Sin embargo, la desilusión viene rápidamente cuando se percibe que la prontitud tiene un costo muy alto: la total pérdida de control.</p> |
149 | 149 |
<p>¿Qué solución nos queda? Quizá repensar el modo de producción y buscar un nuevo método…</p> |
150 | 150 |
</section> |
151 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
|
152 |
+ </section> |
|
151 | 153 |
</body> |
152 | 154 |
</html> |
... | ... |
@@ -5,7 +5,7 @@ |
5 | 5 |
<title>Edición ramificada como alternativa de publicación</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
8 |
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|
9 | 9 |
<section epub:type="chapter" role="doc-chapter"> |
10 | 10 |
<h1 id="edicion-ramificada-como-alternativa-de-publicacion">Edición ramificada como alternativa de publicación</h1> |
11 | 11 |
<p>¿Y si cambiamos de perspectiva? ¿Si en lugar de hablar sobre la diversidad en los formatos finales, pensamos en un método multilateral? La idea es sencilla: no nos concentremos en los formatos, sino en los caminos que llevan a ellos. El supuesto también es evidente: a múltiples formatos, diversos senderos.</p> |
... | ... |
@@ -285,5 +285,7 @@ |
285 | 285 |
</li> |
286 | 286 |
</ul> |
287 | 287 |
</section> |
288 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
|
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+ </section> |
|
288 | 290 |
</body> |
289 | 291 |
</html> |
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@@ -5,7 +5,7 @@ |
5 | 5 |
<title>Respaldo de la información</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
8 |
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|
9 | 9 |
<section epub:type="chapter" role="doc-chapter"> |
10 | 10 |
<h1 id="respaldo-de-la-informacion">Respaldo de la información</h1> |
11 | 11 |
<p>Hay ocasiones en que el proyecto completo se arruina: archivos corruptos, pérdida de documentos, malfuncionamiento de la computadora, etcétera. ¿Cuál es la mejor manera de gestionar cualquier clase de proyecto digital? Como lo es la edición de una obra…</p> |
... | ... |
@@ -127,5 +127,7 @@ |
127 | 127 |
<p>Con esto, el <em>single source publishing</em> pasa a ser <em>single source and online publishing</em> (<span class="versalita">SSOP</span>), donde la «revolución» digital no va en contra de los conocimientos adquiridos durante siglos, sino que revisita, depura o elimina técnicas y metodologías que no son las más pertinentes para llevar a cabo una tarea.</p> |
128 | 128 |
<p>En la edición, la «revolución» digital es la «apertura» del «gremio» al uso de las tecnologías de la información en pos de técnicas más aptas pero sin olvidar lo que hace de una obra un «buen» libro.</p> |
129 | 129 |
</section> |
130 |
+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
|
131 |
+ </section> |
|
130 | 132 |
</body> |
131 | 133 |
</html> |
... | ... |
@@ -5,7 +5,7 @@ |
5 | 5 |
<title>Edición no estandarizada: aplicaciones y más</title> |
6 | 6 |
</head> |
7 | 7 |
<body> |
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<section epub:type="chapter" role="doc-chapter"> |
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<h1 id="edicion-no-estandarizada-aplicaciones-y-mas">Edición no estandarizada: aplicaciones y más</h1> |
11 | 11 |
<p>Las posibilidades tecnológicas actuales permiten una clase de publicaciones cuya metodología poco tiene que ver con la tradición editorial. Este tipo de productos editoriales es lo que últimamente se conoce como <em>appbooks</em>.</p> |
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</li> |
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</ul> |
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</section> |
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+ <section> <script type="text/javascript" src="/hashover/comments.php"></script> |
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+ </section> |
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</body> |
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</html> |
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@@ -32,10 +32,11 @@ embargo, la principal desventaja es su general falta de uniformidad y de |
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estructura por lo que uno de los primeros trabajos no solo es corregir el texto, |
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sino también darle una estructura adecuada. |
34 | 34 |
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-| Formato | Tipo | Programa usual | Licencia | |
|
36 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
37 |
-| [DOCX]{.versalita} | Abierto | Word | Propietario | |
|
38 |
-| [ODT]{.versalita} | Abierto | Writer | Libre | |
|
35 |
+``` |
|
36 |
+Formato | Tipo | Programa usual | Licencia |
|
37 |
+DOCX | Abierto | Word | Propietario |
|
38 |
+ODT | Abierto | Writer | Libre |
|
39 |
+``` |
|
39 | 40 |
|
40 | 41 |
 |
41 | 42 |
|
... | ... |
@@ -49,25 +50,27 @@ principal es la posibilidad de visualmente componer el texto. Pero su desventaja |
49 | 49 |
reside en que se complica la **publicación multiformato** al ser muy difícil |
50 | 50 |
regresar a un formato adecuado para la publicación digital. |
51 | 51 |
|
52 |
-| Formato | Tipo | Programa usual | Licencia | |
|
53 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
54 |
-| [INDD]{.versalita} | Cerrado | InDesign | Propietaria | |
|
55 |
-| [SLA]{.versalita} | Abierto | Scribus | Libre | |
|
52 |
+``` |
|
53 |
+Formato | Tipo | Programa usual | Licencia |
|
54 |
+INDD | Cerrado | InDesign | Propietaria |
|
55 |
+SLA | Abierto | Scribus | Libre |
|
56 |
+``` |
|
56 | 57 |
|
57 | 58 |
### Para imágenes |
58 | 59 |
|
59 | 60 |
El tratamiento con las imágenes es algo común en la labor editorial, |
60 | 61 |
los formatos más comunes tenemos: |
61 | 62 |
|
62 |
-| Formato | Tipo | Programa usual | Licencia | |
|
63 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
64 |
-| [JPEG]{.versalita} | Abierto | Photoshop / Gimp | Propietaria / Libre | |
|
65 |
-| [PNG]{.versalita} | Abierto | Photoshop / Gimp | Propietaria / Libre | |
|
66 |
-| [TIFF]{.versalita} | Abierto | Photoshop / Gimp | Propietaria / Libre | |
|
67 |
-| [PS]{.versalita} | Abierto | Photoshop / Gimp | Propietaria / Libre | |
|
68 |
-| [SVG]{.versalita} | Abierto | Illustrator / Inkscape | Propietaria / Libre | |
|
69 |
-| [AI]{.versalita} | Propietario | Illustrator | Propietaria | |
|
70 |
-| [PSD]{.versalita} | Propietario | Photoshop | Propietaria | |
|
63 |
+``` |
|
64 |
+Formato | Tipo | Programa usual | Licencia |
|
65 |
+JPEG | Abierto | Photoshop / Gimp | Propietaria / Libre |
|
66 |
+PNG | Abierto | Photoshop / Gimp | Propietaria / Libre |
|
67 |
+TIFF | Abierto | Photoshop / Gimp | Propietaria / Libre |
|
68 |
+PS | Abierto | Photoshop / Gimp | Propietaria / Libre |
|
69 |
+SVG | Abierto | Illustrator / Inkscape | Propietaria / Libre |
|
70 |
+AI | Propietario | Illustrator | Propietaria |
|
71 |
+PSD | Propietario | Photoshop | Propietaria |
|
72 |
+``` |
|
71 | 73 |
|
72 | 74 |
## Para libros electrónicos estándar |
73 | 75 |
|
... | ... |
@@ -79,12 +82,13 @@ Por último, se cuenta con un formato específico para la lectura de |
79 | 79 |
cómic que son: [CBR]{.versalita}, [CBZ]{.versalita}, [CB7]{.versalita} o |
80 | 80 |
[CBT]{.versalita}. |
81 | 81 |
|
82 |
-| Formato | Tipo | Programa usual | Licencia | |
|
83 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
84 |
-| [CBR]{.versalita} | Abierto | Renderizador | Variable | |
|
85 |
-| [CBZ]{.versalita} | Abierto | Renderizador | Variable | |
|
86 |
-| [CB7]{.versalita} | Abierto | Renderizador | Variable | |
|
87 |
-| [CBT]{.versalita} | Abierto | Renderizador | Variable | |
|
82 |
+``` |
|
83 |
+Formato | Tipo | Programa usual | Licencia |
|
84 |
+CBR | Abierto | Renderizador | Variable |
|
85 |
+CBZ | Abierto | Renderizador | Variable |
|
86 |
+CB7 | Abierto | Renderizador | Variable |
|
87 |
+CBT | Abierto | Renderizador | Variable |
|
88 |
+``` |
|
88 | 89 |
|
89 | 90 |
> El último carácter hace mención al formato de compresión, [R]{.versalita} para |
90 | 91 |
> [RAR]{.versalita}, [Z]{.versalita} para [ZIP]{.versalita}, 7 para |
... | ... |
@@ -96,16 +100,17 @@ Un renderizador es un *software* que permite ver visualmente un |
96 | 96 |
libro electrónico. Puede ser un programa independiente o una extensión a un |
97 | 97 |
explorador *web*. Los renderizadores más populares son: |
98 | 98 |
|
99 |
-| Programa | Licencia | Plataforma | |
|
100 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
101 |
-| Calibre | Libre | Multiplataforma | |
|
102 |
-| Readium | Abierto | *Plugin* para Chrome | |
|
103 |
-| [EPUBR]{.versalita}eader | ? | *Plugin* para Firefox | |
|
104 |
-| [ADE]{.versalita} | Propietaria | Windows y macOS | |
|
105 |
-| iBooks | Propietaria | iOS y macOS | |
|
106 |
-| Sumatra [PDF]{.versalita} | Abierto | Windows | |
|
107 |
-| Okular | Libre | Linux | |
|
108 |
-| Google Play Books | Propietaria | Android | |
|
109 |
-| Familia Kindle | Propietaria | Multiplataforma | |
|
99 |
+``` |
|
100 |
+Programa | Licencia | Plataforma |
|
101 |
+Calibre | Libre | Multiplataforma |
|
102 |
+Readium | Abierto | Plugin para Chrome |
|
103 |
+EPUBReader | ? | Plugin para Firefox |
|
104 |
+ADE | Propietaria | Windows y macOS |
|
105 |
+iBooks | Propietaria | iOS y macOS |
|
106 |
+Sumatra PDF | Abierto | Windows |
|
107 |
+Okular | Libre | Linux |
|
108 |
+Google Play Books | Propietaria | Android |
|
109 |
+Familia Kindle | Propietaria | Multiplataforma |
|
110 |
+``` |
|
110 | 111 |
|
111 | 112 |
</section> |
... | ... |
@@ -48,9 +48,10 @@ Desventajas: |
48 | 48 |
no es común en el ámbito editorial. |
49 | 49 |
* Requiere el aprendizaje de algo nuevo; a saber, su sintaxis. |
50 | 50 |
|
51 |
-| Formato | Tipo | Programa usual | Licencia | |
|
52 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
53 |
-| [MD]{.versalita} | Abierto | Editor de texto | Variable | |
|
51 |
+``` |
|
52 |
+Formato | Tipo | Programa usual | Licencia |
|
53 |
+MD | Abierto | Editor de texto | Variable |
|
54 |
+``` |
|
54 | 55 |
|
55 | 56 |
Ejemplo: |
56 | 57 |
|
... | ... |
@@ -69,10 +70,11 @@ Esto es un párrafo con una *itálica*. |
69 | 69 |
De lenguajes de marcado pesado tenemos la familia de TeX y la familia |
70 | 70 |
[HTML]{.versalita}. |
71 | 71 |
|
72 |
-| Formato | Tipo | Programa usual | Licencia | |
|
73 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
74 |
-| TeX | Abierto | Editor de texto | Variable | |
|
75 |
-| [HTML]{.versalita} | Abierto | Editor de texto | Variable | |
|
72 |
+``` |
|
73 |
+Formato | Tipo | Programa usual | Licencia |
|
74 |
+TeX | Abierto | Editor de texto | Variable |
|
75 |
+HTML | Abierto | Editor de texto | Variable |
|
76 |
+``` |
|
76 | 77 |
|
77 | 78 |
Ejemplo de TeX: |
78 | 79 |
|
... | ... |
@@ -158,7 +160,7 @@ a este problema. |
158 | 158 |
Ejemplo de [YAML]{.versalita}: |
159 | 159 |
|
160 | 160 |
```yaml |
161 |
--@-@- |
|
161 |
+--- |
|
162 | 162 |
publication: |
163 | 163 |
content: |
164 | 164 |
h1: "Encabezado 1" |
... | ... |
@@ -167,11 +169,12 @@ publication: |
167 | 167 |
blockquote: "Cita con <strong>negrita</strong>." |
168 | 168 |
``` |
169 | 169 |
|
170 |
-| Formato | Tipo | Programa usual | Licencia | |
|
171 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
172 |
-| [XML]{.versalita} | Abierto | Editor de texto | Variable | |
|
173 |
-| [JSON]{.versalita} | Abierto | Editor de texto | Variable | |
|
174 |
-| [YAML]{.versalita} | Abierto | Editor de texto | Variable | |
|
170 |
+``` |
|
171 |
+Formato | Tipo | Programa usual | Licencia |
|
172 |
+XML | Abierto | Editor de texto | Variable |
|
173 |
+JSON | Abierto | Editor de texto | Variable |
|
174 |
+YAML | Abierto | Editor de texto | Variable |
|
175 |
+``` |
|
175 | 176 |
|
176 | 177 |
### Editores de texto |
177 | 178 |
|
... | ... |
@@ -180,14 +183,15 @@ puedan ser redactados desde cualquier tiepo de editor de textos, privados, |
180 | 180 |
abiertos o libres. Los editores recomendados para poder escribir cualquiera |
181 | 181 |
de estos formatos son: |
182 | 182 |
|
183 |
-| Programa | Licencia | Plataforma | |
|
184 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
185 |
-| Geany | Libre | Multiplataforma | |
|
186 |
-| Gedit | Libre | Multiplataforma | |
|
187 |
-| Atom | Libre | Multiplataforma | |
|
188 |
-| Brackets | Libre | Multiplataforma | |
|
189 |
-| Sublime Text | Propietaria | Multiplataforma | |
|
190 |
-| Dreamweaver | Propietaria | Windows y macOS | |
|
183 |
+``` |
|
184 |
+Programa | Licencia | Plataforma |
|
185 |
+Geany | Libre | Multiplataforma |
|
186 |
+Gedit | Libre | Multiplataforma |
|
187 |
+Atom | Libre | Multiplataforma |
|
188 |
+Brackets | Libre | Multiplataforma |
|
189 |
+Sublime Text | Propietaria | Multiplataforma |
|
190 |
+Dreamweaver | Propietaria | Windows y macOS |
|
191 |
+``` |
|
191 | 192 |
|
192 | 193 |
## Familia EPUB |
193 | 194 |
|
... | ... |
@@ -222,12 +226,13 @@ sus propios formatos cerrados a partir del [EPUB]{.versalita} u [OEBPS]{.versali |
222 | 222 |
> optimización en los dispositivos, 3) adición de [DRM]{.versalita} o 4) implementación |
223 | 223 |
> de características no estandarizadas. |
224 | 224 |
|
225 |
-| Formato | Tipo | Programa usual | Licencia | |
|
226 |
-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-@-@-@-|-@-@-@-@-@-@-@-@-@-@-@-@-| |
|
227 |
-| [EPUB]{.versalita} | Abierto | Renderizador | Variable | |
|
228 |
-| [IBOOKS]{.versalita} | Propietario | iBooks | Propietaria | |
|
229 |
-| [MOBI]{.versalita} | Propietario | Familia Kindle | Propietaria | |
|
230 |
-| [AZW3]{.versalita} | Propietario | Familia Kindle | Propietaria | |
|
225 |
+``` |
|
226 |
+Formato | Tipo | Programa usual | Licencia |
|
227 |
+EPUB | Abierto | Renderizador | Variable |
|
228 |
+IBOOKS | Propietario | iBooks | Propietaria |
|
229 |
+MOBI | Propietario | Familia Kindle | Propietaria |
|
230 |
+AZW3 | Propietario | Familia Kindle | Propietaria |
|
231 |
+``` |
|
231 | 232 |
|
232 | 233 |
## Estilos Markdown de Pecas |
233 | 234 |
|